THE FOLLOWING PERCUSSIONIST OF INDIA HELPED ME---

DEAR GLOBAL CITIZENS,
HELLO.THERE IS NO DOUBT THAT INDIAN CLASSICAL MUSIC IS THE BEST IN THE WORLD.THE FOLLOWING ARE THE NAMES OF THE PERCUSSIONISTS WHO HELPED ME----
1.GOD GANESHA(10 CRORES B.C.)--SOURCE:BHU,KAASHI,DEPARTMENT OF SANSKRIT.--HE DIVIDED THE MRIDANG INTO 2 PARTS AND MADE TABLA.HE IS THE SON OF GOD SHIVAA.
2.THE NAMES OF THE ANCIENT INDIAN PERCUSSION INSTRUMENTS ARE---'AAGHAATI','AADAMBAR','VAANASPATI','BHERI',DOORDOOR','DHOL','NAGAADAA','MRIDANG','PAKHAWAJ'.TODAY THE MOST POPULAR INDIAN PERCUSSION INSTRUMENT IS 'TABLA'.
3.USTAAD SIDDHAAR KHAN--(1,000AD,DELHI GHARAANA)
4.USTAAD AHMAD JAAN THIRAKAWA(18TH CENTURYAD,DELHI GHARAANA)
5.USTAAD SITAAB KHAN(18TH CENTURY AD,AJRAADA GHARAANA)
6.USTAAD MODU KHAAN(14TH CENTURY AD,LUCKNOW GHARAANA)
7.USTAAD VILAAYAT ALI(17TH CENTURY AD,FARUKHKHABAAD GHARAANA)
8.PT.RAM SAHAY JI(17TH CENTURY AD,BANARAS GHARAANA)
9.HUSSAIN BAKSHA(17TH CENTURY AD,PUNJAB GHARAANA)
10.AN INTRODUCTION ABOUT 'MRIDANG'--GOD SHIVAA KILLED A DEMON NAMED TRIPURAASUR.BRAMHAA JI MIXED THE SOIL WITH THE BLOOD OF THAT DEMON AND MADE A DOUGH OUT OF IT.THEN BRAMHAA JI TEARED THE SKIN OF THAT DEMON AND COVERED IT ON A HOLLOW WOODEN BOX MADE OF WOOD.GOD GANESHAA FIRST PLAYED ON THAT INSTRUMENT NAMED MRIDANG AND GOD SHIVAA DID HIS TAANDAV DANCE ON IT.
10.SAAMVED(VAEDIC PERIOD)
11.PT. KANTHE MAHARAJ JI(17TH CENTURY,BANARAS GHARAANA).
12.PT. ANOKHE LAL MISHRA(18TH CENTURY,BANARAS GHARAANA)
13.AMEER HUSSAIN KHAN(17TH CENTURY AD)
14.USTAAD ALLAH RAKHKHA KHAN(18TH CENTURY AD,PUNJAB GHARAANA)
15.NIKHIL GHOSH(18TH CENTURY AD)
16.SAMTA PRASAD MISHRA(18TH CENTURY AD,BANARAS GHARAANA)--GODAI MAHARAAJ.
17.PT. KISHAN MAHARAAJ GURU JI(BANARAS GHARAANA,18TH CENTURY AD)
18.USTAAD ZAKIR HUSSAIN BHAI(20TH CENTURY AD,PUNJAB GHARAANA).
APART FROM THESE NAMES THERE ARE MANY OTHER NAME WHO CONTRIBUTED TO MY SUCCESS.
MOST OF OUR BOOKS RELATED TO SUPERNATURAL POWER WAS BURNT IN THE ANCIENT NALANDA UNIVERSITY OF BIHAR,WHICH WAS THE RICHEST LIBRARY OF THE WORLD,WAS BURNT BY MUGHAL EMPEROR AURANGAZEB.SO,I THINK WE COULD GET MANY LOST POWER FROM THE RUINS OF THE ANCIENT NALANDA UNIVERSITY.
AND LASTLY,
1.'TAALSTAL PRATISHYAMITI GHATORVATRI ASMRITAH
GEETAN VAADYAN TATHA NRITAN YATSTALE PRATISTHITAM'
THIS MEANS THAT LYRICS,BEATS,DANCES ARE ALL BASED ON THE TAAL.WITHOUT THE TAAL THEY HAVE NO EXISTENCE.
2.'SAAHITYA SANGEET KALAA VIHINAH'
SAAKCHAAT PASHU PUKCHA VISHAAN HINAH'
THIS MEANS THAT A PERSON WITHOUT LITERATURE,MUSIC AND ART IS THE SAME LIKE AN ANIMAL.
19.PT. GANGA DAYAAL PANDEY GURU JI(20TH CENTURY AD,LUCKNOW GHARAANA)--HE DEVOTED HIS PRECIOUS 50 YEARS TEACHING TABLA AT RAJENDRA NAGAR,PATNA,WITHOUT THE LUST FOR ANY HONOUR OR WEALTH.HE GAVE ALL HIS STUFFS TO ME FREE OF COST.
NOW,IS THERE ANY DOUBT ABOUT GOD BRAMHAA,GOD VISHNU,GOD SHANKAR,RAMAYANA,MAHABHARAT?IF STILL THERE IS A DOUBT THEN GO TO HELL.
SINCERELY,
RINKU ADARSH
CHAIRMAN,AKMPL,INDIA,GLOBAL MNC.